Original Painting | Beauty | Crossing: 1.7 | 120 x 160 cm Framing Option:Stretched (4.2cm depth) The body floats in the

The body floats in the waterhole having done everything it knows how to do

Heavy impasto technique with palette knife creating substantial surface texture

Thick impasto textures catch ambient light

The paradox: the fight is real but the fighter cannot see the mirror

creating strong textural contrast

Original Painting | Beauty | Crossing: 1.7 | 120 x 160 cm Framing Option:Stretched (4.2cm depth) The body floats in theTitle: Beauty Paradox: Beauty that asks for nothing in return The Story I painted a landscape that was beautiful for no reason. No sunset timing, no golden hour calculation. It was simply there, being what it was, without needing anyone to notice. That is the beauty I am interested in the kind that does not perform. The kind that remains after the audience has gone. The Crossing Crossing 1. 7 Dormancy via Living Dao The Body Surrenders. The rocks and