PIPPA GARNER, BAD CARS rare in a non-aesthetic sense

in a non-aesthetic sense

meaning that sometimes her imagery becomes unrecognisable

his work is a document of the process of self-determination and self-representation of black Zambians at the time

On the images we see abstract impressions of green and yellow leaves pressed against the plastic sheeting of the greenhouses

UNIVERSUM CARROUSEL JOURNEY – A STUDIO stands for education

PIPPA GARNER, BAD CARS rare in a non-aesthetic sensePippa Garners multidisciplinary practice, which is receiving a renewed visibility and institutional attention, features a wide, and for the most part still undiscovered, photographic archive of thousands of images. Consisting of personal documentations spanning fifty years, her photography work encompasses also street photography shots from the late 70s and early 80s, captured on her daily explorations of Los Angeles. Bad Cars collects a series of