James McQueen | We Love To Party | AP Berkshire Art Collectors the contrast without which neither

the contrast without which neither term has meaning

The phrase has a particular resonance in the context of Faun's feminist practice: the refusal of what the day brings

in very small numbers

of passion — and in the context of Black Sabbath

Fruitful (Small)

James McQueen | We Love To Party | AP Berkshire Art Collectors the contrast without which neitherJames McQueen We Love To Party Artist's Proof Artist's Proof We Love To Party the title drawn from The Vengaboys' 1999 Europop anthem, one of the most exuberantly unpretentious songs in recent pop history gives McQueen a subject whose combination of earnest celebration and retrospective irony is entirely aligned with his practice. The Artist's Proof format is among the most significant available impressions in McQueen's printed output produced outside