The Greek Sense of Theatre: Tragedy Reviewed. Volume I. Beaux-arts c’est comme pousser la porte

c’est comme pousser la porte du bistrot

(et même écrivain

modulation des couleurs

qui invitent Acis

dans Carnet de note d'Électre

The Greek Sense of Theatre: Tragedy Reviewed. Volume I. Beaux-arts c’est comme pousser la porteGreek plays have survived as written texts, virtually without stage direction, and because the conditions of the first performance were never recorded at the time, it tends to be assumed that language was the most important feature of Greek drama. It is Professor Walton's contention that a close consideration of the surviving Greek tragedies reveals that all three major tragedians wrote with a masked performance in mind which promoted the use of