BILUKA Y LOS CANIBALES - Leaf-Playing In Quito, 1960-1965 DLP Funeral Doom that’s only because they’ve taken

that’s only because they’ve taken a different tack here

Music For 7 Paintings catalogues the energy in the gaze of a seasoned musician

King Of Kings was recorded in 1974 and features a wider array of instruments including Ugandan Harp and Balafon

here the Nature is investigated not only in terms of pure tones

The have a different approach to the vocals on this one

BILUKA Y LOS CANIBALES - Leaf-Playing In Quito, 1960-1965 DLP Funeral Doom that’s only because they’ve takenThe out of this world recordings of Dilson de Souza, leading a kind of tropical chamber jazz on leaves from a ficus tree. Dilson was from Barra do Pirai, in the Brazilian countryside; moving to Rio as a young man, where he worked in construction. He recorded his first record in 1954, for RCA Victor. He travelled to Quito around 1957, soon hooking up with Benitez & Valencia, who introduced him to the CAIFE label. Dilson played the leaf open, resting on